top of page

THEATRE

PERSEIDS OR HOW TO PARTY HARD
PRODUCTION: ONASSIS FOUNDATION

image.png
image.png

The basement stage of the Onassis Stegi transforms into the “Perseids” club: a place full of strobe lights, disco balls, pink neon lights, electronic music, and 80s love songs. Five femininities meet in a chance encounter (or not) in the ladies’ room. They talk about their first time; their Barbie dolls; the one-night stands. They text nude pics and create sexting inspired anthems. A night full of drunken confessions, swearing, loving, hugging, and wild dancing. A universe filled with glitter, TikTok tutorials, dating apps, and pop culture references that oscillate between Gen Z and the Millennials.

Is there any room for love in the generation of dissociation and tinder dates? How can you revolt in a world that is constantly fighting against you and your whole identity? Five girls crave to fall in love, to express themselves, and to live their dream, even though they were born and raised in a world where love didn’t come as they expected. Raising their voice against what defined them to this day, they unite in one entity, one solid body. A “dance" of the “here-and-now,” where the ladies’ room transforms into a space of release and liberation. A sharp, delightful, moving manifesto.

TRAILER:

CONCEPT-SCRIPT-DIRECTION

ZOE SIGALOU, MARINA SIOTOU

 

SETS AND COSTUMES

ELENI STROULIA

 

MOVEMENT INSTRUCTOR

ALEXANDROS VARDAXOGLOU

 

ORIGINAL MUSIC

MARILENA ORFANOU

 

LIGHTING DESIGN

PANAYOTIS LAMBIS

SETS AND COSTUMES ASSISTANT

TZANOS MAZIS

 

CUSTOM-MADE COSTUMES

DIMITRIOS PARASKEVOPOULOS

 

ASSISTANT DIRECTOR

ROXANNE KRIMIZI

 

2ND ASSISTANT DIRECTOR

IRINI BAZANI

 

CAST

DANAE DELAPORTA, MARIANNA BOZANTZOGLOU, KATERINA ROUSIAKI, ZOE SIGALOU, MARINA SIOTOU

OnassisFoundation_logo_2023.jpeg

PRODUCED BY

CALL ME SUGAR

PRODUCTION : ONASSIS FOUNDATION

image.png
image.png

What makes a job good? How is dignity defined in the workplace? Do we share another view on sex work with regard to its online versions? Why should its choice as a source of income conceal a sad underlying story? Is this simply the male gaze or is it a conscious appropriation of the patriarchal system in favor of sex workers? “Call Me Sugar” sets out as a surrealistic performance conference centered on working conditions, sexuality, fetishism, and its commodification. OnlyFans, cam girls, and used underwear are the backdrop for a modular performance that will negotiate taboos, stereotypes, and loneliness through the field of online sex work promising sexual and financial liberation, insatiable pleasures, and arousing images. A performance made of research material, humor, personal confessions, and fictional stories.

TRAILER: 

TEXT 

CHRISTINA KYPRAIOU, MICHALIS PITIDIS, ZOE SIGALOU

 

DIRECTED BY

CHRISTINA KYPRAIOU, MICHALIS PITIDIS

 

DRAMATURGY

CHRISTINA KYPRAIOU, MICHALIS PITIDIS, ZOE SIGALOU

 

ART DIRECTION

ZOE SIGALOU

 

SET DESIGN

CAPTAIN STAVROS

 

COSTUME DESIGN

VASILIA ROZANA

LIGHTING

PANAGIOTIS LAMPIS

 

MOVEMENT

NATALIA KALOGEROPOULOU

 

LIVE MUSIC

CHRISTOS POULOS RENESIS

 

FEATURING

MELINA KOTSELOU, CHRISTINA KYPRAIOU, CHRISTOS POULOS RENESIS, DESPINA STAVRIDIS, MICHALIS PITIDIS, ZOE SIGALOU

OnassisFoundation_logo_2023.jpeg

PRODUCED BY

CHROMOSOME W: AN ALPHABET OF WOMANKIND
PRODUCTION: THE COCKPIT THEATRE

8D74F9E9-F068-4FB0-85EA-97F565A5BC54.JPG
F45FE673-BA69-43E1-998D-0D96F0D23F8C.JPG

One letter difference in our 23rd chromosome makes us female, if only were that simple. Two X Chromosomes on stage take us on a journey through the Alphabet of Womankind. Twenty-six stops concerning what it means to be part Womankind.    

Through different media (video, visual art and music) we explore what it means to be female. Performed by two actresses on stage, using videos, songs, poems, advertisements, folk tales, interviews, to understand and explore the female position in society, sexuality and sexualization, female voice in art, science, society and culture in general. 

The performance is constructed in 26 chapters following The Alphabet of Womankind (bellow). The Alphabet is used as a short handbook which will help us take a trip to what it means to be female, as seen through the eyes of literature, church, society, business, art, science, social media. 

Throughout the performance the actors try to uncover the thread that connects the depiction of women through different areas of life and eras.

A RooZ Theatre Company production.

TEXT / DIRECTED BY

ZOE SIGALOU, ROXANNE KRIMIZI

 

COSTUME DESIGN

ELENI KAVADA or @240791ek 

CHOREOGRAPHY 

ALEXANDOS VARDAXOGLOU

New_Cockpit_Logo_BandW.jpeg

PRODUCED BY

FILMS

CASUALS

Casuals.png

A group of friends meet on their neighbourhood's football field. What seems to be a casual everyday game, turns rapidly in a whirlwind of dirt, shouts and sweat. Unknown to their youthful selves, the subculture of hooliganism has already started to contaminate their love for the sport and their friendship.

DIRECTED BY

ZOE SIGALOU

 

SCREENPLAY 

ZOE SIGALOU & PANOS SIGALOS

 

DoP

ROXANNE KRIMIZI

 

CAST

VASILIS KANAKIS, GRIGORIS PANTAZIS, PAMINOS PAPANIDIS, PANAGIOTIS SIGALOS, PABLO SOTO, DIMITRIS VASSILAS

tiff63-poster-01-1.jpeg

OFFICIAL SELECTION

TIFF 63 COMPETITION​

ODE À APHRODITE

A coming of age film about dreams.

Official Selection at Thessaloniki Queer Arts Festival and Madeira Shorts.

DIRECTED BY

ZOE SIGALOU & MARINA SIOTOU

 

SCREENPLAY

ZOE SIGALOU & MARINA SIOTOU

 

CAST

ZOE SIGALOU & MARINA SIOTOU

CORONA AUSTRALIS

A young girl creates a world of her own.​

BEST SCRIPT AWARD

TIFF61COMPETITION

DIRECTED BY

ZOE SIGALOU

 

SCREENPLAY

ZOE SIGALOU & MARINA SIOTOU

 

CAST

CAROLINA

61tiff_poster_blue.jpeg
bottom of page